Showing posts with label Hilary Mantel. Show all posts
Showing posts with label Hilary Mantel. Show all posts

Friday, March 24, 2017

Stranger than fiction


Books are my primary indulgence followed closely by coffee and chocolate. I believe that reading expands our consciousness and if only more people read, there may be greater empathy and tolerance amongst the people. Although we are entitled to form an opinion  thus inclined to take a stand , we must read with an open mind when we read. Every reader  reads  about stuff that interest him or her . Every reader has his or her own preferences.

find that words persuade, dissuade, describe and transcend all that define us, our beliefs, our insecurities, our hypocrisies, our truths and the ordinary events that shape our lives. Poignant writings touch our hearts, humour tickle and make us see the lighter side of life while thought provoking passages find its way to stir our conscience. Without words, we are mere beings. click

Some people prefer non-fictions to fictions for the former is intended to be informative and educational. I read fictions and non-fictions but I tend to read far more  fictions than non-fictions as I can get through fictions more quickly than  non-fictions that require more time and concentration. I take to fictions more simply because I  binge on books. I need to feast on words and in reading fictions, I gain a better understanding about humanity. What draws me to a particular fiction is its narratives, the voice,  the words chosen and how the sentences are structured
Hilary Mantel’s prose never fails.  Here is  the opening paragraph of Eight Months on Ghazzah Street. It had me hooked right away.
     September 1984
       IN FLIGHT
‘ Would you like champagne?”
        This was the beginning ; an hour or so out from Heathrow. Already it felt further;watches moved on, a day in a life condensed to a scramble at a check-in desk, a walk to a departure gate; a day cut short and eclipsed, hurtling on into advancing night. And now the steward leaned over her, putting this question.
      ‘ I don’t think so.’ They had already eaten; dinner, she supposed. So much smoked salmon is consumed on aircraft that it is a wonder there is any left to eat at ground level. The steward had just now whisked her tray from under her nose.’You could give me some brandy,’ she said.

Eight months on Ghazzah Street written by Hilary Mantel is a story about an English couple who has to relocate to Jeddah when the husband is offered a job after his contract in Botwana has ended. They are doubling his salary and offering free housing, a car allowance, paid utilities, yearly leave ticket, school fees. The only reservation is how the wife will settle in as she is a working woman and she won’t be able to work when they are there. Here is the exchange between Andrew Shore and his wife, Frances.
Well, if you ‘re going to earn all that money, I’m sure I can occupy myself. After all, it’s not for ever, is it?’
‘No, it’s not for ever. We should think of it as a chance for us, to build up more security-’
‘ Will you pass me those salad bowls?’
Andrew was silent. He passed them, one by one. Why, really, should she share his vision of their future? She had come to Africa at her own behest, a single woman, one of the few recruited for her line of work.

Frances Shores is lost within Jeddah’s ever developing streets. The regime is corrupt and harsh, the cynical expatriates are money-grabbing and they tend to have the habit of  laughing  at everything as if it is the safest way of expressing dissent. She hears whispers from the “empty’ apartment above her. You can feel her sense of creeping unease. She has met her neighbours, one Pakistani couple with a small child and a young Saudi couple, also with a baby. Frances feels frustrated as her only source of information is from her husband, Andrew. During her stay, she finds her warily curious Muslim neighbours remain mysterious. Frances ‘is the sort of person who rings dates on calendars, and does not trust to memory; who, when she writes a cheque, does a subtraction and writes a balance on the cheque stub. She knows where all their possessions are, everything that belongs to her and everything that belongs to him; she remembers people’s birthdays, and retains telephone numbers in her head. She likes to make sense of the world by making lists, and writing things down.      She keeps a diary.
          FRANCES SHORE’S DIARY : 14 Muharram
At last the doorway has been unblocked, and I feel that I am going to end this rather peculiar isolation in which I have been living. When I began this diary I described my first morning in the flat as if it were going to be exceptional. When Andrew locked me in , I thought it doesn’t matter, because  I won’t be going out today. As if not going out would be unusual. I didn’t know that on that first day, I was settling into a pattern, a routine, drifting around the flat alone, may be reading for a bit, doing this and that, and daydreaming. I can see now that it will need a great effort not ot let my whole life fall into this pattern.
Andrew thinks that perhaps after all we should have gone to live on a compound, where, he says, it is all bustle and sociability, and the wives run and out of each other’s houses the whole time. I’m not sure if I’d like that. I still think of myself as a working woman. I am not used to coffee mornings. I think of myself in my office at Local Government and Lands. I was run off my feet, or at least I like to think so. Being here is a sort of convalescence. Or some form of sheltered accommodation. You think that after a dose of the English summer, after the hassle of getting out here, you will need a recovery period. You need peace and quiet. Then suddenly, you don’t need it any more. Oh, but you have got it . It is like being under house arrest. Or a banned person.

Eight months on Ghazzah Street is chilling and reads like a thriller  but it ends in suspense. Perhaps that is the way things are as we will never find out what has happened or know what is actually happening. In the present era of media frenzy, we have to decipher the information that is available and decide for ourselves what to believe and what not to.

Thursday, June 4, 2015

Dear Mother



After having read Bring up the bodies, I could not wait to get my hand on another novel written by Hilary Mantel. Earlier this year, I had placed an order for her debut novel with  a local independent bookstore and was glad that my copy of  Every day is Mother’s day arrived in May. The timing  was  perfect in that Mother’s Day was celebrated a couple of weeks before  and I  had just posted an essay about how some men might not be too thrilled with the idea of parenting, as described by  John O’Farell through the sentiments expressed by the protagonist, Michael Adams who live a double life in The Best a Man Can Get , a satire written by O’Farell.        http://lifang-leehong.blogspot.com/2015/05/parenthood.html


Similarly the mothers in the debut novel by Hilary Mantel do not seem to  cope well with their parenting jobs either. In Every day is Mother’s day, Evelyn Axon is a medium by trade and her daughter, Muriel is a half-wit by nature but she is devious. Young and inexperienced social worker, Isabel Field meet Colin Sidney in a creative class and start an affair that is doomed from the start as Colin is married to Sylvia who is now expecting their fourth child. Evelyn and Muriel live next door to Colin’s sister, Florence. Colin and his wife, Sylvia do not seem to be able to  manage their three kids well. Colin habitually enroll  in courses and classes after work  to get away from his wife , Sylvia who has grown into a highly strung lady. Poor Sylvia.

Mantel writes,
Colin moved and took her by the arm. A corner of the vegetable rack caught him painfully on the shin.

“ This is what I stay for,” he said.” They’re your children, you wanted them. Can’t you manage better than this ? Do you realize this is what I stay for?”

“Stay?” Sylvia gaped. “And where are you planning to go? What are you talking about ? Who else in the name of God would want you?” Her mouth quivered like Karen’s , in disbelief, and suddenly tears plopped out of her pale blue eyes and ran down onto her housecoat, Christmas or no Christmas, the first in years.

Both Colin and Sylvia have been invited to dinner and at the last minute, their baby- sitter has decided not to turn up as her grandpa is visiting and when Colin tries to persuade her about earning her pocket money, she responds with this:
Well, it’s only one fifty, isn’t it, and if Grandad sees me he gives me a fiver.

Here is part of the exchange between Colin and Sylvia when they have to figure out who they can entrust  their children with as they are due at their dinner host’s place in forty-five minutes.
Mantel writes ,
You phone her,” Colin said. “ You got us into this mess.”
“I’d like to know why it’s always my problem to fix up a babysitter. You always leave it to me and then you criticize. It’s you that wants to go this dinner, not me.”

“ All right,” Colin said, “all right. Then I’ll just phone up Frank and say we can’t make it, shall I ? Frank goes to a lot of trouble over his dinner parties. He’s very interested in cooking and he goes to a lot of trouble, trying to select the right guests.”

“ And I go to trouble every night of the week. You don’t think about that.”

In Every Day is Mother’s Day, two stories run parallel and the characters  are intertwined. A horrible secret lurks in the darkness of the Axon household as Isabel the social worker feels duty bound to investigate, the result is  terrifying and at the same time hilarious. Mantel is a very good story teller and you can  visualize  the characters and the surroundings as you read all the descriptions  through her prose.
‘Click, click, click, said the mock-cros. They were Mrs Sidney’s shoes. She passed without mishap along the Avenue, over that flagstone with its wickedly raised edge where Mr Tillotson had tripped last winter and sustained his fracture; they had petitioned the council. Mrs Sidney's good legs, the legs of a woman of twenty-five, moved like scissors down the street. Her face was white and tired, her scarlet lips spoke of an effort at gaiety. She had carried the colour over the line of her thin lips into a curvaceous bow; she had once red in a magazine that this could be done.’

I will have to get the next novel Vacant Possession by Hilary Mantel  as the story continues with the same characters.

Friday, April 24, 2015

Reading with Imagination


I used to be able to compartmentalize my time a little better amidst my errands and commitments. There were some bad days when I could not get my acts together but most days, between my work schedule and my domestic responsibilities, I was  able to fit in the work out, be it yoga, gym or tennis and also reading, watching movies and hanging out with friends. 

These days multi tasking seems to be a thing of the past, mind is feeling the weight of things and rising  sense of urgency makes it hard to  prioritize rationally. I must acknowledge that  with the onset of years, gone are the days when I could just pick up anything to read and plonk myself down without my reading glasses.  If I add up the time taken in  the past one year  when I  had to walk the steps to pick up my spectacles from wherever I  have left them, I could have  read a couple more books.

In this electronic age, if you think that things are getting more efficient due to computerization, in truth, it is not if you examine the overall scheme of things where the infrastructure is lacking. One thing that definitely takes up quite a bit of time in my daily life is looking for a park and spending time  on the road getting from one destination to another. 
Yesterday morning  after circling for some twenty minutes trying in vain to find a park around the court house , I  left my car  by the side of the road just across the street from the court house. I then felt terribly uneasy so I  told my opponent  that I needed to shift my car as it had been parked illegally. “ I should not chance it, ” I said to him. Instead of hurrying along, I  decided to use the washroom at the court house. On my way out, I met my client. After  a quick exchange with him, I suddenly felt the urgency. At the very moment when I was about to step onto the street, I caught a glimpse of the traffic officer who rode away from my car on his motorcycle. Too late. The  green sheet of paper  was  already tucked below the window wiper.  It was a mere delay of five  minutes all because I had been distracted. I was displeased primarily because I had not followed through my hunch. On reflection, the incident was  nonetheless a good way to jolt me  into focusing on the trial ahead and  feeling vengeful  might have  paved the way for merciless cross-examination of the witness.

While “Bring up the Bodies” is about the fall of Anne Boleyn , in telling a gripping story of terror during the Tudor age,  Hilary Mantel  focuses on portraying Thomas Cromwell as a ruthless, brutal and crafty minister. Cromwell was born a violent blacksmith’s son from Putney and he ran away from his hometown only to return 27 years later as a lawyer.  He is certainly not a sentimentalist and not a man with whom one can have inconsequential conversations. King Henry VIII  is getting disenchanted with Anne Boleyn as she has failed to give him a son and her sharp intelligence and audacious will alienate his old friends and the noble families of England. The King now has eyes for the demure Jane Seymour thus his loyal master secretary, Cromwell plots to bring Anne Boleyn down  after having failed in his attempts to negotiate a voluntary dissolution of the marriage between Henry and Anne. Although Cromwell is aware that not all the evidence against the Queen and those who are being tried are true, he has to protect his own position and do what is necessary to serve Henry the king. The novel also gives a ghastly account of how Cromwell seizes the opportunity to hound and kill all those privileged courtiers and aristocrats to  avenge the humiliating treatment of his beloved master, the late Cardinal Wolsey.

This is how Cromwell is described by  Mantel in her novel.
Thomas Cromwell is now about fifty years old. He has a labourer’s body, stocky, useful, running to fat. He has black hair, graying now, and because of his pale impermeable skin, which seem designed to resist rain as well as sun people sneer that his father was an Irishman, though really he was a brewer and a blacksmith at Putney, a shearsman too, a man with a finger in every pie, a scrapper and brawler, a drunk and a bully, a man often hauled before the justices for punching someone, for cheating someone. How the son of such a man has achieved his present eminence is a question all Europe asks. Some says he came up with the Boleyns, the queen’s family. Some say it was wholly through the late Cardinal Wolsley, his patron; Cromwell was in his confidence and made money for him and knew his secrets. Others say he haunts the company of sorcerers. He was out of the realm from boyhood, a hired soldier, a wood trader , a banker. No one knows where he has been and who he has met, and he is in no hurry to tell them. He never spares himself in the king’s service, he knows his worth and merits and makes sure of his reward: offices, perquisites and title deeds, manor houses and farms. He has a way of getting his way, he has a method;he will charm a man or bribe him, coax him or threaten him, he will explain to a man where his true interests lie, and he will introduce that same man to aspects of himself he didn’t know existed. Every day Master Secretary deals with grandees who, if they could, would destroy him with one vindictive swipe, as if he were a fly. Knowing this , he is distinguished by his courtesy, his calmness and his indefatigable attention to England’s business. He is not in the habit of explaining himself. He is not in the habit of discussing his successes. But whenever good fortune has called on him, he has been there, planted on the threshold, ready to fling open the door to her timid scratch on the wood.

At home in his city house at Austin Friars, his portrait broods on the wall; he is wrapped in wool and fur, his hand clenched around a document as if he were throttling it. Hans had pushed a table back to trap him and said, Thomas ,you mustn’t laugh; and they had proceeded on that basis, Hans humming as he worked and he staring ferociously into the middle distance. When he saw the portrait finished he had said, ‘Christ I look like a murderer; and his son, Gregory said, didn’t you know? ‘

Mantel wrote, ‘He has helped them to their new world, the world without Anne Boleyn, and now they will think they can do without Cromwell too. They have eaten his banquet and now they will want to sweep him out with the rushes and the bones. But this was his table: he runs on the top of it, among the broken meats. Let them try to pull him down. They will find him armoured, they will find him entrenched, they will find him stuck like a limper to the future. He has laws to write, measures to take, the good of the commonwealth to serve, and his king; he has titles and honours still to attain, houses to build, books to read, and who knows, perhaps children to father, and Gregory to dispose in marriage. It would be some compensation for the children lost, to have a grandchild. He imagines standing in a daze of light, holding up a small child so the dead can see it .’

 Once again history reminds us not to trust the  politicians and those at the helm. The novel has taken me much time to finish reading as Mantel’s prose needs concentration and a moment’s distraction, I have to start the page and re-read it again.